Sguardi d’Impresa. Mimmo Frassineti photographs Ferrari

01/04/2026 –  3/5/2026

The exhibition Sguardi d’Impresa. Mimmo Frassineti photographs Ferrari arrives at the Museo Nazionale dell’Automobile after previous presentations in Modena and Rome. Comprising more than forty photographs, it represents the last body of work created by Mimmo Frassineti – photographer, painter, journalist and author of industrial reportage – who passed away on 17 February 2026 at the age of 83.

The project originates from a commission by the Fondation Cartier pour l’art contemporain which, on the occasion of the exhibition Autophoto (2017), entrusted Bublex with writing a text on the history of the automobile and the evolution of its forms from 1802 to today. During this writing process, the work À l’abri du vent et de la pluie (Sheltered from Wind and Rain) also took shape: an installation composed of a selection of ten 1:10 scale automobile models.

The sculptures, reduced to the essential forms, do not describe the models in detail but retain their minimal yet recognizable features. The selection of models results from what the artist defines as a “wandering” of ideas — free associations emerging during conversation. Each model is a repository of memory: an image that reactivates recollections, triggers associations and opens new lines of thought. This non-linear movement — made of returns, deviations and hypotheses — structures Bublex’s work.


Mimmo Frassineti (1942–2026)
Photographer, journalist and painter, he collaborated with La Repubblica, L’Espresso, Time and Stern. At the centre of his work was industrial labour and the relationship between people and their working environment. Sguardi d’Impresa is his final exhibition.

CDP Group Historical Archive

The exhibition presents two photographic series taken in Maranello in 1980 and 2024, drawn from the CDP Group Historical Archive. In addition to these images, the archive includes a collection of more than 20,000 photographs documenting the history of Italian industry in the post-war period.

Ritorno al Futuro

Taking centre stage in the exhibition is the iconic 1981 DeLorean DMC-12, designed by Giorgietto Giugiaro, together with a selection of sketches and ink drawings on tracing paper from the Italdesign Archive, chosen to tell the story of the creative process behind the car that has left its mark on the history of cinema and design. The car – characterized by flat surfaces, sharp edges, unpainted stainless-steel bodywork, and spectacular gull-wing doors – embodies the vision of a futuristic sports car, which has become the aesthetic expression of an era, to which today’s car designers continue to refer for its enduring modernity.

In addition to the car and its drawings, the exhibition pays homage to the pop masterpiece with a series of original props from the making of the film, from Bill and Patrick’s extraordinary collection: the TRW numeric keypad and the time circuit breaker, both belonging to the “Time Machine”.

PROTOTYPES OF TIME

In the second part, on display are twelve works from the Suspended series by the artist Anri Sala, one of the most significant voices on today’s contemporary scene. Presented for the first time together in a museum, the works – twelve like the number of hours on a clock face – offer a powerful reflection on the suspension and fluidity of time: digital drawings of extraordinary beauty that meditate on the relationship between eidos and chronos, between time and space, between the visible and the impalpable passage of hours and minutes, which – while not giving certain proof of existence beyond mathematical measurement – nonetheless leave indelible traces on our lives.

Hot Panda

1 October – 26 October 2025

Alongside the opening of the exhibition inspired by BACK TO THE FUTURE and the iconic DeLorean designed by Giorgetto Giugiaro, the Museo Nazionale dell’Automobile presents Hot Panda, the project that photographer Bin Jia has dedicated to another masterpiece created by the Piedmontese designer: the Panda.

“In this work by Chinese photographer Bin Jia, the Panda is transformed from a symbol of the very idea of a utilitarian car into a machine for viewing. The subject of this gaze is contemporary Italy. Inevitably placed at the centre of the frame, according to a rigorous and repetitive principle that recalls mass production, the cars photographed by Bin Jia not only reveal the countless variations in model and colour developed over time, but also, and above all, the urban and natural environment that surrounds them: the streets, the architecture, the cities.

The Panda is a telescope, but also a time machine: its angular shapes collide with the signs of the most recent contemporary reality scattered across the landscape, triggering a kind of temporal paradox. Fiat Panda = DeLorean DMC-12. Hot Panda is a tribute to slowness, work, and simplicity (the Panda is an icon of all these values) at a time of fundamental change for the main actors of this project. Automobiles are being transformed, in response to the new challenges of mobility, ecological urgencies, new urban planning models, technological evolution, the availability of materials and components, and geopolitics. At the same time, photography is also radically changing, increasingly devoid of the surplus of objectivity that had guaranteed its success before the advent of digital and AI. Hot Panda is a new journey through Italy. On the other hand, in the original one Goethe wrote: “The purpose of this magnificent journey of mine is not to delude myself, but to know myself in relation to objects.”

(Francesco Zanot)

 

Sound Reconstruction of the Monaco - Trossi Engine

The installation recreates the sound of the legendary Monaco–Trossi engine, unheard since 1935, through a sophisticated audio reconstruction using cutting-edge neural synthesis techniques. The algorithmic sonification process, conceived and developed by MuseeX, combines a scientific and creative approach that integrates historical sources, engineering data, and generative models. The result is an immersive and realistic sound model that evokes the authentic voice of a car lost to time. Reliving the past through sound lies at the heart of MuseeX’s research: each project resurfaces what has been forgotten, hidden, or lost, transforming it into a soundscape that gives voice to memory.

Acknowledgements

Carlo Felice Trossi. Unfinished Hero

Curated by Giordano Bruno Guerri

With Francesco Foppiano, Davide Lorenzone, Ilaria Pani

Artistic director Maurizio Cilli

Museo Nazionale dell’Automobile thanks all lenders:Andrea Ghisalberti, Lopresto Collection, Alex von Mòzer, STELLANTIS Europe SPA | HERITAGE (Museo Alfa Romeo), Mercedes-Benz Classic, Maserati Umberto Panini APS Collection, Museo Scooter&Lambretta, GAVS – Gruppo Amici Velivoli Storici – Tourin Section, R.E. San Giorgi, Yacht Club Italiano

Photo credits: Fondazione Sella, Fotografia dall’Archivio, Zagari © The Spitzley Archive, Varagine.it Historical Photographic Archive on the City of Varazze

Videos: Archivio Luce Cinecittà

We express our gratitude to Maurizio Fracassi for his valuable support and generous donation, through which the Carlo Felice Trossi archive has has been incorporated into the collection of the MAUTO Documentation Centre.

Special thanks to Gianluigi Ricuperati.

Project partners: Banca Generali Private, MuseeX

The catalogue

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Public Program

Talks, screenings and opportunities for discussion as a corollary to the temporary exhibitions.
The Public Program completes the MAUTO cultural schedule and broadens the discussion on the subject of cars and mobility. A program that explores different languages and transversal approaches, opening up to a contemporary and transmedia discussion.
STORIES, VISIONS, SOUNDS. A  calendar of meetings that alternates between conversations, editorial presentations, projections, musical and performance events: stories that embrace art, design, literature and current affairs; visual explorations ranging from auteur films to artist videos and documentaries; sound proposals that move between musical genres, with authors and performers, ensembles and soloists.

Some of the scheduled meetings – all free and upon reservation – develop from the themes addressed by the temporary exhibitions and research activities of the Museum’s Conservation and Restoration Centre and Documentation Centre.

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